Stoya on the Metaphysics of Cocksucking (via VICE)

stoya:

"What’s your number-one tip for giving the best blowjob?"

This question drives me insane. I usually pause to shoot murderous looks at whichever PR person has set up the interview before responding. I have two sound-bite-sized answers: “Don’t chomp down on the dick unless the person it’s attached to has expressed a desire for that sort of thing,” and “Experiment, communicate, and pay attention.” Usually the reporter doesn’t like either answer. They want to hear something about Altoids or strawberry-flavored lube. They want to know some secret for controlling a man through his orgasm, as though making your boyfriend ejaculate at will is some sort of way to turn them into the perfect mate. They want a detailed description of the magical three-button move that works on everyone. If something like putting slight pressure on the taint with my left thumb while using the fingers of that hand to gently cup the balls and slurping on the head of the cock with the exact suction tension of my mom’s twelve-year-old Hoover worked like a charm on every single penis, I would never, ever spend 45 minutes of my life on a porn set trying to be understanding and sensitive, while the male talent I’m working with struggles to maintain an erection or ejaculate because he’s having a really bad day.

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read the full article on vice.com

For the last damn time, my answer to various basic questions about getting into porn

stoya:

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For those of you still interested, the first step to performing is deciding what kind of porn you want to do. See, porn isn’t just people with big boobs and giant schlongs in silly setups involving offices and pizza deliverymen. It also isn’t just people who are accepting of all body types/sexual orientations and strive to be as ethical as possible. Nor is it all high-gloss features, intense BDSM scenes, or content made by supposed amateurs. Before I started working in hardcore porn, I thought it was all like John Stagliano’s The Fashionistas. Stagliano shoots a very different sort of product than Digital Playground does, and while my decision to sign with DP worked out very well for me, I did spend the first few movies confused by the differences. If there is an idea in your head of the kind of porn you want to do, examine it and figure out specifically what excites or inspires you. Use it to get a more clear idea of your motivations and the level of involvement you want to have in the adult industry.

Read the rest on VICE.com

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Hysterical Literature

stoya:

There’s a video involved. I leave it up to you whether you read or watch first.

I’ve never understood vibrators. I’ve gone on record numerous times saying various versions of “I dislike them all except for Lelo’s Nea which I really only appreciate aesthetically.” I think it’s the buzzing that bothers me. I’ve posed for plenty of photospreads with toys, but I’ve always seen them as a poor substitute for a person and I’ve never had an orgasm from one. Less than a month ago I was on a panel at Exxxotica   with some of the adult industry’s most successful female performers. Someone in the audience asked what our favorite vibrator was, and every single one of the other women shouted “Hitachi” in unison. That night I received an email from Clayton asking if I’d be interested in his new project.

He’s filming women sitting at a table reading literature. The twist is the things going on below the table. I like these sorts of things… This Empty Love was the first video work I enjoyed doing, making hardcore work with Digital Playground an interesting option later. I think the interesting parts of sex are in the hints of what can’t be seen. Penetrative sex, after all, is an exploration of something dark, moist, and cavelike.  

I’ve chosen a section of Supervert’s “Necrophilia Variations.” I’m fascinated by Supervert and their (his?) body of work. I went with the Necrophilia themed volume because I’m currently in an oddly non-morbid obsession with something triangulated by the way an orgasm affects brain chemistry, the reasons behind the french nickname of la petite mort, and why my mind goes completely blank when I’m at the height of a sexual experience. There’s something in there, death and sex, maybe change or growth, and I’ve been focused on it since shortly before I posted “Touch.” Sometimes I can brush this concept with my fingertips, but I can’t grab hold and inspect it yet. The only way to understand is to wallow in anything that might hold a clue until it all clicks together (or am distracted by something shiny… but it would have to be *really* shiny.) Tl;dr: That’s the book that felt right.

I’ve been told to dress as I would for a date with a man, not a boy. I’m wearing a dress from Vivienne Westwood’s Anglomania collection last year. The cut limits the range of motion of my arms, but ideally I wouldn’t need to open my own doors or feel the desire to talk on my phone while on a date with a man. My makeup is simple, my heels very high but relatively practical, and my panties are both sophisticated and expensive. Also, damp in the gusset. Sexually speaking I really enjoy things that I can’t predict and things that are new to me. This attempting-to-read-aloud-and-maintain-composure while being sexually stimulated game is new. The video camera adds a dash of exhibitionism which I always appreciate. Most interesting, though, is the Hitachi that my vagina is about to be making very good friends with for the first time.

When I tell Clayton’s lovely assistant for the evening that I’ve never experienced the Hitachi, her eyes light up. I’ve obviously gotten myself into the most fun kind of trouble. Lights get set and everyone assumes their positions. My underwear lays on the floor out of frame. As I start reading, my disbelief is suspended. I forget what is about to happen. The first touch on my thigh sends all available blood to my vulva. I continue to enunciate properly, focusing on the text. I’ve broken a sweat. If this goes on for much longer my hair will be plastered to my head with perspiration as though I’ve been working out or engaging in acrobatic man/woman penetrative fucking. I stumble over a word, my concentration breaks as I go back to pronounce it correctly. Neither the Hitachi or the woman wielding it will be denied, but in the interests of art (and because this feels so beautifully filthy I don’t want it to stop yet) I hold out as long as I can. This section of the world that I’m inhabiting slows down, zooms in. Like a stretched rubber band it suddenly contracts, and I am lovingly punched with an orgasm. 

I giggle-pant, hands on the table. Once enough pieces of my mind have come back I deliver the closing line.

picmanbdsm:

To me a woman in a collar and leash symbolizes someone who has finally let go. She has given herself the freedom to become what her inner desires and needs demand of her.
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I love how happy she looks when she’s getting fucked. Such a cutie. ;)
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justsexypics:

Sex blog here
Submit  here
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